I use the two filters in front of one single projector, side-by-side, 5mm gap in beetween:
Then I use a calibrating pattern, Right-eye on the left, Left-eye on the right (I am accustomed tu use cross-vision for my tests in general).
Because of the gap beetween the filters, the center patterns are not filtered and are used for color reference (115=45% brightness, simulating filter attenuation).
(The above is after calibration and shows the modified colors that will look the same when filtered. That gives you an idea of how badly you need color correction...)
Then I tweak each color for both eyes to match as closely as possible the center pattern, using, for each:
newcolor = k1*R + k2*G + k3*B
When completed, closing the program creates a profile file which in turn is used to build the LUT tables required by AVIsynth.
So 16 millions colors are interpolated from 8 basic colors (the seven lines of patterns plus black). These 8 colors are the corners of a 3Dlut cube in 3D space geometry:
primaries, secondaries, black and white.
This is the basics. Now I am using 27 basic colors with the same method. Mid-range vertexes have been added to the cube.
So, if you use the card driver, you have only access to two points: black and white (tweaking the curves may help though). If you look at the calibration patterns, you can see that white (last line) defines the primaries. That may be a good start. But you also see that the primaries themselves, when calibrated, use other values.
Jack
Just joking but they've already done it with 3d.
