Last week, MTBS was flown at the Dolby Laboratories' San Francisco headquarters to sample their work in stereoscopic 3D and surround sound audio. In part one of our coverage, I talked about their 3D and surround sound cinema solutions. Today, we continue our tour of Dolby Labs!
Bill Admans, Director of Production and Post-Production Solutions for Dolby demonstrated a new color calibration display for cinema production called the PRM-4200. The specifications of these things are all gobbltigook to me, but there were some facts that struck me.
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